2016. An Evaluation of Digital Interfaces for Music Composition and Improvisation. PhD Thesis. Keele University, UK. Available at http://eprints.keele.ac.uk/1606/
2014. Free as in BEER: Some Explorations into Structured Improvisation Using Networked Live-Coding Systems Scott Wilson, Norah Lorway, Rosalyn Coull, Konstantinos Vasilakos, Tim Moyers Computer Music Journal Spring, MIT Press, 2014, Vol. 38, No. 1: 54–64.
2013. Live Coding Chunks Into Gestural Improvisation. Presented in Salford University, Salford, UK
2013. From Code to Tape Presented in SoundThought 2013, Contemporary Centre of the Arts, Glasgow, UK (2014)
2012. Humanising Technology: interacting with sonic material using haptic controllers. [poster] Presented at Keele Humanities Symposium 2012, and at “Live Interfaces: Performance, Art, Music 2012” Leeds University